Studio Daily is providing a complimentary webinar on Thursday, August 5 from 12pm to 1pm ET. VFX supervisor Florian Gellinger will deconstruct a scene from Percy Jackson & the Olympians: The Lightning Thief.
Tools used are Nuke and Sapphire plugins. Nevermind a lot of AE folk don’t use Nuke, this is an opportunity to see technique which could easily be reproduced using After Effects. And if you use Sapphire plugins all the better.
Some of the tasks to be examined involve an actor interacting with a lightning bolt and include:
show Zeus catching the CG lightning bolt
integrate the bolt in his hand
add chromatic aberration
add a plasma core
make its edges wobble
add a lightning “back bone”
add a huge variety of smaller and bigger, high-energy arcs on its surface
add heat distortion
add photographic glow and light interaction on Zeus
Rob Birnholz shows you how to create an animated logo reveal with Adobe After Effects. He uses a couple of great plug-ins, Knoll Light Factory from Red Giant and Sapphire from GenArts (both free demos available here).
Rob gives you several interesting techniques in this one tutorial.
This tutorial video is part of Day 3 of Toolfarm’s Secret Santa Holiday Giveaways. Enjoy and thanks to Rob Birnholz for his fantastic contribution!
Rob Birnholz
Rob Birnholz is owner of Absolute Motion Graphics, Inc., near Orlando, FL. With more than three decades of production and post experience, he’s not only older but hopefully wiser.
Rob graduated from The University of Florida with a degree in Broadcast Production, then began his career freelancing in the South Florida film industry, working on major features and commercial shoots. In the early 1980′s he formed his own video production company shooting, directing and editing high-end corporate projects for clients including PepsiCo and the Knight-Ridder Newspaper chain.
After relocating to Central Florida in the late 1980′s, Rob continued as a freelance Lighting-Cameraman and Editor working on projects ranging from Disney’s “Mickey Mouse Club” to cutting Super Bowl highlight packages for ESPN.
With the advent of desktop editing Rob discovered After Effects (version 1!) and his life changed forever. Shooting and directing faded into the background as Rob focused on new digital postproduction solutions, and his company, Absolute Motion Graphics, was formed.
Working largely in the non-broadcast arena, Rob loves recreating high-end looks and effects without having the same big-time budgets. He is a frequent guest speaker at user groups around the country, and many of his After Effects tutorials were distributed on the Digital Production Buzz newsletter.
Recent projects have been completed for T•Mobile, Walt Disney World, Kodak, General Motors, Long John Silvers, KFC, Subway, Cricket Communications and The Palm Springs International Film Festival. Rob’s website is at absolutemotiongraphics.com