Red Giant Complete gives you the complete set of tools from Red Giant at an affordable price. With an annual subscription to Red Giant Complete you’ll have access to all of our most up-to-date tools while saving thousands of dollars over traditional perpetual licensing.
Red Giant Complete includes:
Trapcode Suite (reg. $999): The industry’s most essential tools for creating 3D motion graphics and visual effects in Adobe® After Effects®, now with the Dynamic Fluids™ physics engine.
Magic Bullet Suite (reg. $899): Widely-used for color correction, finishing and film looks, Magic Bullet Suite 13 gives editors and filmmakers everything needed to make footage look great, right on editing timelines.
Universe (reg. $199/year): Red Giant’s collection of over 80 GPU-accelerated plugins for editors and motion graphics artists.
VFX Suite(reg. $999): The all-new suite of keying, tracking, cleanup and visual effects compositing tools, all right inside Adobe After Effects.
Shooter Suite(reg. $399): Shooter Suite 13.0 is a set of purpose-built applications, including the industry-leading PluralEyes, that give directors of photography, videographers, shooters and filmmakers the ability to bring footage from set to post.
Total if purchased separately: $3,495
Red Giant Complete: $599/YEAR
Upgrade Now for 50% Off Red Giant Complete – Limited Time Only
For those with current Red Giant licenses for any product suite, or an active subscription to Universe, Red Giant is offering a special upgrade to Red Giant Complete for just $299 – that’s 50% off the first year of Red Giant Complete*.
Students and teachers who own any Red Giant Suite or have an active subscription to Universe, Red Giant is offering a special upgrade to Red Giant Complete for just $149.
Upgrade Offer Ends February 2, 2020
* The offer of 50% off Red Giant Complete for individuals, students and teachers is valid for only the first year of an annual subscription.
Download 38 Free Utility Presets for After Effects called Prolost EDC, mainly featuring timesaving shortcuts for monotonous tasks. Stu Maschwitz, the developer, gives a scenario on how it is used. “For example, usually when I apply the Shift Channels effect, it’s to do something simple, like move the alpha channel into RGB, or copy the red channel to all three RGB channels. But these simple things actually require quite a few clicks of fussy little menus. With Prolost EDC installed, typing “Shift Channels” into the search field in the Effects and Presets panel” and this brings up a list that is the utility can be applied in just one click.
Adobe After Effects CC(2017), CC(2015.3), CC (2015), CC (2014)
Adobe Premiere Pro CC(2017), CC(2015.3), CC (2015), CC (2014)
Apple Final Cut Pro X 10.2.3 and up
Apple Motion 5.2.3 and up
Magix Vegas Pro 14
Avid Media Composer 8.5, 8.6, 8.7, 8.8
Davinci Resolve 12.5
HitFilm Pro 2017
Powerful looks and color correction for filmmakers.
Instant Color. Choose from over 200 brand-new Look presets, designed to match your favorite movies and TV shows. Every preset is fully customizable.
Alter the presets by adding or removing tools along the toolchain, or just build a look from scratch by combining any of the 41 tools.
Incredibly Easy with a UI for Design
The best color correction experience in the industry happens because of a great set of tools and a great way to use them.
Color Correction for Pro Editors
Colorista – Looks gives you access to Color Wheels and much more.
Film Stock – The new film tool emulates the entire photochemical process.
Skin – The cosmo tool makes it easy to balance skin tones and remove blemishes.
Scopes – Professional scopes help guide you in your color grading decisions.
Color grade faster than ever before. Magic Bullet Looks runs on your graphics card’s GPU – giving you the color grading power you’ve come to expect in Magic Bullet Looks – but much faster. With OpenCL and Cuda support, Looks works with the Mercury Playback engine in Premiere Pro, giving you real time video playback.
Looks Presets (New)
The Looks Library has been updated with 51 new, fully-customizable presets, designed to match the latest Hollywood films and TV shows. You can also create your own presets (or alter existing ones) and save them to the Looks Preset Library.
An Intuitive User Interface
Magic Bullet Looks is the most intuitive color finishing tool on the market today. Get in, choose a preset look, tweak it a bit, and get on with your workflow. Or create your look entirely from scratch, with powerful, flexible tools in a user interface built for design.
Classic color scopes like RGB Parade, Slice Graph, Hue/Saturation and Hue/Lightness, are essential to protecting your color. Along with a unique Memory Colors scope for monitoring important colors, Looks helps guide you in your color correction and grading process, like nothing else. New in version 4 is the ability to both resize scopes and to zoom into the Hue/Saturation scope to see more detail.
Reference Library (New)
Magic Bullet Looks now includes the ability to work with reference stills to inform color correction decisions. Take snapshots to compare corrections between different clips or projects – or Load stills from other sources.
Looks includes 42 tools for color grading and finishing. These tools go beyond the capabilities of your application or dedicated grading software.Tools include essential color correction tools as well as beautiful camera-based effects such as exposure, lens vignette, edge softness, chromatic aberration and more. New tools like Mojo II and Renoiser give you even more control over the color grading and finishing process.
Tool Presets (New)
New to Looks 4 are Tool Presets, making it easier than ever to try out different variations in settings with our most popular tools. Users can also now save presets directly within each Tool.
Source Tool (New)
Start off every color grade on the right foot. The new Source tool sits at the front of the toolchain so that you can tell it what type of footage you are working with, including Log, sLog2, sLog3, Flat, Standard Video and more.
Renoiser Tool (New)
Removing video noise can leave your footage looking overly processed and smooth. The Renoiser tool reintroduces subtle video noise to denoised footage, but can also be used to give any footage an obvious 35mm, 16mm, or Super 8 film grain. Also includes sharpening to bring back the detail lost in the denoising process. Includes 16 built-in, fully-customizable presets for enhancing both color and black and white footage.
Mojo II Tool (New)
Based on the incredibly popular plug-in of the same name, Mojo gives your footage the sophisticated color grade of a Hollywood movie, with film-like contrast and a unified, complementary color palette. Now with more control and 14 powerful presets.
Film Negative/Film Print Tools
Provides the look of various film stocks. These 2 tools work together to emulate the photochemical process used in motion-picture film. 22 Negative Film Stocks and 4 print stocks are included.
Magic Bullet Looks 4 includes a powerful 3-way color corrector, Hue, Saturation, and Luminance control for individual colors, and a Curves control, all in one tool.
4-Way Color Tool
Ranged color correction for for Shadows, Midtones, Highlights, along with a Master color wheel that adjusts the whole image.
Lens Vignette Tool
Add or remove vignetting with this new, foolproof tool.
Import a Look Up Table created in other grading applications, and extend it with additional Looks tools.
A more intuitive and fluid way of controlling your color correction tools, Trackpad Mode lets you interact with Looks using your computer’s trackpad – a control surface you already own.
Red Giant Trapcode Suite 14 is a set of 11 tools for 3D motion graphics and visual effects.
WHAT’S NEW IN TRAPCODE SUITE 14
Trapcode Suite 14 includes eleven products, two of which are new: Trapcode Particular 3 and Trapcode Form 3. Trapcode Tao 1.2 has also been updated. The suite also includes Trapcode Mir 2.1, Trapcode Shine 2, Trapcode Lux 1.4, Trapcode 3D Stroke 2.6, Trapcode Starglow 1.7, Trapcode Soundkeys 1.4, Trapcode Horizon 1.1 and Trapcode Echospace 1.1.