Archive for the ‘Red Giant Software’ Category

The Nobody Hole Video Contest

Published by Michele Yamazaki on October 3rd, 2008 - in Contest, Digieffects, Noise Industries, Red Giant Software

Tthe nobody holeAs the days are cooling off and the leaves are turning colors, it really is a sign that fall is here. I love Halloween so I look forward to Fall! In case you missed it, Toolfarm has joined forces with a musician named SumKid and we’re hosting a video contest with Halloween themed music! This ain’t Thriller!

Check out The Nobody Hole for information on how to enter. There are thousands of dollars worth of video and music prizes for the best entry. Prizes include goods from Digieffects, Red Giant, Noise Industries, CHV Plugins and limited edition music from Sum… and more. Download one of three short audio tracks and build your vision of the music. Create. Enter. Profit.

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Keying out bad footage

How to key bad footage

Click here to watch the tutorial.

Hey! Just wanted to say hallo. My name is Jerzy Drozda Jr, but you may also know me as Maltaannon. From this day forward I’ll be also posting at AEFreemart. Today I want to present you this brand new tutorial on a subject as old as digital post-production itself. You will learn how to work with poor quality footage to pull out a decent chroma key.

Please note that this tutorial uses Key Correct Pro – a set of plugins from Red Giant Software designed to help you with your everyday chroma keying.

I’d also like to point out that our host – Michele Yamazaki – is currently working on a book that focuses on keying in detail. Make sure to have an eye out for “GreenScreen Made Easy: Keying and Compositing Techniques for Indie Filmmakers”

I hope you will enjoy the tutorial.

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HUGE Sales at Toolfarm

I try not to put to many sales related items at AE Freemart but I don’t want you to miss out. Because we distribute the plug-ins, we can give you better deals than the others.

  1. All Red Giant and Trapcode are 50% off today only. This includes full versions and bundles but not upgrades, crossgrades or academic. Use coupon code rg50.
  2. All Digieffects products are 50% off through Friday. This includes upgrades, all Buena and all Walker Effects. It does not include Digieffects Damage, which was released at midnight.
  3. Fear not… there’s a special offer for Digieffects Damage too. Buy Damage and get Digieffects Delirium for free through Friday.
  4. All Class on Demand training is 50% off through Sunday.

Visit Toolfarm.com for the sales!

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Create Animated Titles with Trapcode in Final Cut Pro

Sean Safreed, co-founder of Red Giant Software, has a tutorial up at Studio Daily, Create Animated Titles with Trapcode in Final Cut Pro. It’s similar to the demo that Sean gave me to show at NAB at the Apple booth where I was demoing FxPlug Plug-ins. It’s purdy.

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New Free Trapcode Tutorial from John Dickinson

trapcodeJohn Dickinson shows you how to use Trapcode Starglow and Shine in Final Cut Pro. He shows you some tricks about managing presets in Final Cut Pro.

Learn more about Trapcode Starglow and Trapcode Shine in our Plug-in Finder. These are multi-installer plug-ins meaning that you get the AE, Premiere Pro, FCP, Motion and Avid installers and your serial number works in all of them. How cool is that!

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Getting Started with Magic Bullet Looks

magic bullet looksJohn Dickinson just sent me the link to a video he just finished for Red Giant Software: Getting Started with Magic Bullet Looks. It’s coming out soon. I can’t say exactly when, but doesn’t this get you excited about it! The interface and ease of use are unparalleled. It will be a lot of fun just to get in there and experiment.

And…. get this… the Standalone LooksBuilder will be given away for free! The free standalone works will still images like Tiffs and Jpegs and presets can be saved. The plug-in works with video.

We’ll have more info soon so stay tuned.

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Trapcode: 3D Stars

Ko Maruyama has a nice tutorial movie on extruding shapes into Trapcode Particular at Digital Producer.

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Microfilmmaker Magazine/Adobe Spec Trailer Contest

Production PremiumFrom Jeremy Hanke, Editor at MicroFilmmaker Magazine:

Thousands of filmmakers are discovering an extremely clever way to encourage potential film investors to finance their films: the speculative trailer. Created by shooting a few key scenes from a script the filmmaker wants to get funding for and editing them into trailer format, a speculative trailer shows the style and look of the final film to potential investors and allows them to see how it might be marketed.

To encourage you to create a speculative trailer for that film you’ve always wanted to get funded, Microfilmmaker Magazine has teamed up with Adobe to bring you the Microfilmmaker Magazine/Adobe Spec Trailer Contest. A panel of highly regarded filmmakers and editors, which currently includes acclaimed Indie directors Mike Flanagan (Oculus, The Ghosts of Hamilton Street) and Alex Ferrari (Cyn, Broken), will judge these speculative trailers and the top ten will be listed on our website for our readers to watch and vote on.

The winner of this contest will receive the brand new Adobe Creative Suite 3: Production Premium package (featuring Premiere Pro CS3, After Effects CS3, Flash CS3, Encore CS3, Soundbooth CS3, Photoshop CS3 Extended, Illustrator CS3, OnLocation CS3, and Ultra CS3) and Red Giant Magic Bullet Suite 3, for a grand prize total of $2498!

red giant logoThe submission deadline is August 15th, 2007. The top ten will be posted on September 7th, with voting for Microfilmmaker Members available from then until Midnight September 14th. The winner will be declared on September 15th, 2007.(I recommend that anyone wishing to enter this contest read Mike Flanagan’s amazingly insightful article on editing trailers first.)Read the complete submission instructions below:

  1. Trailers must be no shorter than 60 seconds in length and no longer than 120 seconds in length.
  2. Trailers must be in English or have English subtitles.
  3. Trailers must have utilized at least one Adobe product in their creation. (This does not have to be a video program such as Premiere Pro or After Effects, but may include Adobe graphic products like Photoshop or Illustrator or audio programs like Audition.)
  4. Trailers must be shot for no more than a $500 budget if you own your own camera or an $800 budget if you must rent your camera.
  5. 80% of the footage in your trailer must have been shot after June 1, 2007.
  6. Trailers must be in either uncompressed Windows video (.AVI) or uncompressed Quicktime (.MOV) NTSC or 24P files burned to DVD.
  7. Each DVD submitted must be in a full size DVD case. (CD cases and clamshell cases will not be excepted.)
  8. A filmmaker may submit more than one trailer, but each trailer must be on its own separate DVD in its own separate DVD case.
  9. Clearly label your DVD case with the following information:
    a) Trailer Name
    b) Director’s Name
    c) Genre
    d) Running Time
          e) Shipping Address
          f) Phone Number
          g) Email
          h) Trailer Budget
          i) Which Adobe Product Was Used in Creation?
  10. Clearly label your DVD with the following information:
          a) Trailer Name
          b) Director
          c) Email
  11. All submissions must be postmarked no later than August 15th, 2007.

Failure to follow any of these ground rules will cause your entry to be disqualified. 

Submit all trailers to:

Microfilmmaker Magazine
c/o Kari Ann Morgan
100 John Sutherland Dr. Ste. 7
Nicholasville, KY 40356

If you have any questions, don’t hesitate to email either myself or our PR director, Kari Ann Morgan.

Additional and Legal Information:
Discs that have been mis-burned or do not play properly will be discarded, so please double check your discs before you mail them in.
Trailers will not be returned, so do not send master copies of your trailer.
By submitting your trailer, you give Microfilmmaker Magazine permission to use it in part or in its entirety in advertising related to this or future contests.

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Click-thru Tutorial: Magic Bullet Looks

red giant logoStudio Daily has posted video of Stu Maschwitz previewing Magic Bullet Looks from Red Giant Software and it is really incredible. You can still get Magic Bullet Suite 2.1 while you wait for the new version to come out.

Watch the Magic Bullet Looks video tutorial

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Training Video: Getting Started with Key Correct Pro

Published by Michele Yamazaki on April 3rd, 2007 - in After Effects, John Dickinson, Red Giant Software

key correct pro logoRed Giant’s Key Correct Pro is a great tool for keying that works in After Effects. John Dickinson has completed an 18 minute training video called Getting Started with Key Correct Pro. The graphics in the training video look really great and I guarantee you’ll learn a lot about keying, even if you’re not currently using Key Correct Pro. After seeing this video, you’ll WANT Key Correct Pro.

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