Compositor’s Toolkit – Apple Motion & After Effects Training, hosted by Kevin P. McAuliffe, Pro Editing @ Home
In this tutorial learn to create a really cool theater style animation reminiscent of a big budget block buster film. Instructions are provided for both After Effects and Apple Motion. While the final look is impressive, no visual effects other than drop shadows are used thanks to the power and versatility of Compositor’s Toolkit.
Today Michele Yamazaki from Toolfarm shares a tutorial and project for creating a gorgeous 3D spinning snow flake completely in After Effects and use Boris Continuum Complete 6.0. 3D Objects is the focus here – an amazing new set of plug-ins in v6.0. The project files are AE CS4.
I created a quick walk through of the template so you can see how to replace the images with your own photos, or even video, if you are so inclined. The video was captured and edited very quickly and easily in Telestream ScreenFlow, which is fantastic. Try a free demo here.
Introducing Knoll 3D Flare (Beta), a new free set of tools that allows you to easily create Knoll Lens Flares in After Effects 3D space. This add-on for
Knoll Light Factory Pro 2.5 in After Effects includes fantastic features like Edge flare-ups, color linking, Z-depth intensity, and full 3D obscuration.
Features
3D Camera Aware: Link a lens flares to a 3D Light’s XYZ position.
Z-Depth: Distance of flare from camera effects flare’s intensity.
Multiple Lights: Apply to every light in your comp.
World Scale: Control the amount of flare scaling relative to a light’s distance from the camera
Edge Flareup: As flares near the edge of the comp they automatically brighten and flareup replicating natural lens phenomena.
Full 3D Obscuration: All 3D layers in your composition can be used to obscure the flare. As the 3D light travels behind a layer, the flare dims and goes out.
Full RGB Obscuration: As the flare passes behind one or many semi-transparent layers, it mixes the layer colors into the flare.
System Requirements: Adobe After Effects (CS3, CS4) + Knoll Light Factory Pro 2.5
CoreMelt is asking for submissions of existing or new work created using CoreMelt plugins. During this period we will donate 10 percent of our gross sales to Rainforest Rescue with a minimum donation of $7000. Winners will be chosen on Feb 10th 2009. The Grand Prize winner will be chosen randomly from the five best entrants in each category of entrant. There are over $25,000 worth of prizes in the contest.
This Friday, December 11, we’ll be giving away a license for Digieffects Megasuite. To enter, all you need to do is Become a Fan of Toolfarm on Facebook. We’ll choose a random fan on Friday at Noon PST, so become a Fan to enter.
What’s in the Megasuite?
Aged Film – Turn back the clock with Aged Film and show which era you set your shot.
Berserk – 20 award-winning special effects plug-ins including StarField, FogBank, VanGoughist and Laser.
Aurorix -
A set of updated 26 cool special effects filters including AgedFilm 2, VideoLook 2, Earthquake 2 and Turbulent Flow 2.
Delirium -
Delirium is a set of more than 46+ amazing plug-ins and tools for creating particle-based fire, smoke and bubbles.
Camera Mapper – Simulate a 3D scene from 2D still images or video footage.
Damage – Damage is a collection of four effects plugins designed for post production professionals who want to create an extensive variety of digital and/or analog defects/errors in your footage.
Buena Depth Cue -
A set of plug-ins that adds realistic depth effects to 3D layers.
Falloff Lighting – provides an enhanced lighting system to After Effects built-in light.
Simulate: Illuma – Light and filter options you didn’t have in the field… Halo, Lightracer, Radiance, Photogust, and Luminus.
Simulate: Camera – Who says you can’t change your mind once it’s shot? Archive, Overexpose, Iris, Destabilize, and Lens Flare.
Rob Birnholz shows you how to create an animated logo reveal with Adobe After Effects. He uses a couple of great plug-ins, Knoll Light Factory from Red Giant and Sapphire from GenArts (both free demos available here).
Rob gives you several interesting techniques in this one tutorial.
This tutorial video is part of Day 3 of Toolfarm’s Secret Santa Holiday Giveaways. Enjoy and thanks to Rob Birnholz for his fantastic contribution!
Rob Birnholz
Rob Birnholz is owner of Absolute Motion Graphics, Inc., near Orlando, FL. With more than three decades of production and post experience, he’s not only older but hopefully wiser.
Rob graduated from The University of Florida with a degree in Broadcast Production, then began his career freelancing in the South Florida film industry, working on major features and commercial shoots. In the early 1980′s he formed his own video production company shooting, directing and editing high-end corporate projects for clients including PepsiCo and the Knight-Ridder Newspaper chain.
After relocating to Central Florida in the late 1980′s, Rob continued as a freelance Lighting-Cameraman and Editor working on projects ranging from Disney’s “Mickey Mouse Club” to cutting Super Bowl highlight packages for ESPN.
With the advent of desktop editing Rob discovered After Effects (version 1!) and his life changed forever. Shooting and directing faded into the background as Rob focused on new digital postproduction solutions, and his company, Absolute Motion Graphics, was formed.
Working largely in the non-broadcast arena, Rob loves recreating high-end looks and effects without having the same big-time budgets. He is a frequent guest speaker at user groups around the country, and many of his After Effects tutorials were distributed on the Digital Production Buzz newsletter.
Recent projects have been completed for T•Mobile, Walt Disney World, Kodak, General Motors, Long John Silvers, KFC, Subway, Cricket Communications and The Palm Springs International Film Festival. Rob’s website is at absolutemotiongraphics.com