Tutorial: Digieffects/Motionworks Challenge winner
Joe Mason was one of the top 3 winners in the latest contest. He shows you how to create a chaotic look using adjustment layers, expressions, and Digieffects plugins.
Try the Digieffects plugins for free | Buy Digieffects Plug-ins here
Tutorial: Joe Mason Digieffects/Motionworks Challege Winner from digieffects on Vimeo.
Create a CCTV security video look in After Effects
Laurence Grayson over at Shortformvideo has a quick tutorial on how to downgrade ordinary footage and make it look like it came from a cheap security camera. He utilizes several AE presets and no outside plugins. You’ll also see a ridiculously simple way to give video that steppy, stuttery look. Watch it here.
3D wings with 3D Stroke
You don’t see many tutorials for Trapcode 3D Stroke anymore but you’re in for a real treat today. In his first ever (!) After Effects tutorial Chris Lorance (aka “Iaenic“) posted a 20-minute tutorial called 
Advanced 3D Wings in After Effects where he shows you how to create 3D wings which not only flap but can evolve out of the actor’s back. I hope we see a lot more from this guy in the future!
Crowd Control Relaunched!
Toolfarm has taken over management and relaunched Crowd Control, pre-keyed stock footage. Check it out!
Create a 3D fall branch in After Effects
This tutorial is a few years old but it’s new to me… and it’s pretty amazing. Alan Shisko shows you how to build and orbit around a 3D leafy branch created completely in After Effects using nothing but a photograph. Watch it here.
An introduction to After Effects expressions
Frederik Steinmetz gives an introduction to After Effects expressions at AE Tuts in the first of a series. This is beginner stuff so if you’ve zero experience this is a good place to start. Watch it here. Afterwards, if you just can’t wait for part two, you can visit MotionScript.com for more information or check out Harry Frank‘s expressions training title over at Toolfarm.
John Dickinson tours Adobe Media Encoder CS5
Earlier this week we shared a tip on how you can now find DG FastChannel presets built right in to Adobe Media Encoder CS5. Let’s now turn to John Dickinson‘s excellent overview on the new version over at Adobe TV. John shows you how to “add files to the encoding queue, customize settings, and thin and edit XMP metadata.” You’ll also see how to use Adobe Media Encoder with After Effects and Premiere Pro. Watch it here.
This week’s free footage from Artbeats and Pond5
This week’s Free Clip from Artbeats is a full HD shot trucking through the woods. And Pond5 is offering a free full HD clip of heavy rain falling on a pavement. What might one do with either of clips I don’t know. But you could download them for free and save them for when you have a use… or for a rainy day. You’ll have to sign in to get the clips at both sites. (At Pond5 it’s not really clear how it works. You need to add the clip to your cart and when you check out the amount due will be $0.) Also, while you’re at the Pond5 site you might want to grab a set of 25 free sound effects as well. Some are practical, some are easily motion-graphics-ish.
DG FastChannel presets in Media Encoder CS5
If you regularly create broadcast spots in After Effects and make delivery online you no doubt have dealt with DG FastChannel now and again. Well, there’s a nice surprise hiding inside Adobe Media Encoder CS5. Two FastChannel presets are built right in. You can’t get to them from the render queue in After Effects. But that’s okay, because the connection between AE and Media Encoder with Dynamic Link just got better. You can now connect directly to an .aep file right from Media Encoder—whether After Effects is running or not. When you do it provides a list of comps in that project. Select the comp you want to encode and add it to your queue. Select MPEG2 under Format, and then change the Preset to DG Fastchannel 480 (or 512). Done! Media Encoder will even automatically FTP the resulting file to FastChannel if you set it up to do so.
Prepping complex Illustrator files for ProAnimator
3Ding your logo from an Illustrator file using ProAnimator is generally a painless process. But there are times, especially when you are not the author of the AI file, when things can get messy. Duplicate objects, clippings paths and other AI tricks can create havoc when opened in ProAnimator. In this new tutorial from the Zaxwerks Blog, Prepping Illustrator Files for 3D, you see just such a complex file getting simplified to make life easier when you move into After Effects.
